No. 339: In Defense of Tim Armstrong

DTX - DTC DAY

Tim Armstrong is not wrong.  The “DTX” in DTX Company is short for “Direct to Everything”; the fund hopes to provide a proverbial spark to this age of online retail. Formerly the CEO of Oath, Tim Armstrong announced the launch of his latest venture with the following mission statement:

We invest in mission-driven founders who are leaders in the direct-brand economy. We are building the infrastructure for the direct brand economy by creating experiences, designing platforms, and investing in founders and talent. [1]

DTX is part venture fund and part amplifier for DTC brands. The fund has already invested in six well-established digitally-natives with an investment thesis that is focused on their appeal to influential, millennial DTC consumers. I’ll come back to the importance of influence at the end.

On November 6, his DTX Company contacted 120 direct-to-consumer brands, making the invitation to join DTX as official partners on the inaugural DTC Friday, the latest man made retail event. Armstrong joins Jack Ma and Jeff Bezos in this respect. The one-day event featured DTX’s portfolio companies and an additional 110 or so that Armstrong recruited. Just seven days later, the day was announced and on the following Friday, Oath’s former CEO took to CNBC to explain his vision for digitally-native brands.

It’s really about having an alternative to the [FAANG] platforms. […] We want to move everything out to the edges.

The retail event’s promise was simple enough, DTX would advertise to 150 million potential consumers.  However, it didn’t work out for many of the brand partners. Fred Perrotta of Tortuga backpacks reported:

As of 10 AM Pacific Time, dtcfriday.com has sent us 14 visitors, almost as many as Duck Duck Go.We had better results back when Bitcoin Black Friday was still active.

And led by co-founder and CEO Matt Bahr, Enquire is a SaaS company that powers attribution surveys for hundreds of Shopify stores. Bahr’s platform works with 15 of the 120 brands that partnered with DTX Company. In total, those brands earned ten sales attributed to DTX Company’s efforts.

We analyzed anonymous survey response and UTM parameter data for DTC Friday’s brands that we work with. Several were highlighted on the DTC Friday website and we found that less than a dozen orders were attributed to the campaign. From our experience working with direct-to-consumer brands, this isn’t too surprising. The blanketed media approach is not typically effective in driving conversions in such short-term time-windows.

Nik Sharma, one of AdWeek’s 29 “Young Influentials in branding” also works with a selection of brands featured by DTX. In his words: “I didn’t have any brands that achieved any surge.” There was positive feedback, however. According to Andie founder Melanie Travis, “[DTX Company] had asked me not to share any numbers yet but I’m definitely excited by the early results.” According to Google Trends, Andie Swim’s search interest was at a seven day low on DTC Friday.

For those who are tracking DTX Company’s trajectory, there has been an abundance of skepticism. I’ve mentioned Armstrong’s team’s makeup. Of the 29 employees,  zero of them have been former founders of digitally-native brands. There is little to no practical experience within the walls of a company tasked with revolutionizing customer acquisition for DTC. There is little of the instinct that’s driven certain brands to outsized valuations and exits.

In contrast, to prepare Away-competitor Rimowa for the DTC era, LVMH hired former Raden founder Josh Udashkin shortly after his luggage brand shuttered. His practical experience has informed the Rimowa’s tactical decisions for over two years. It’s this lack of practical experienced that convinced Lean Luxe founder Paul Munford to provide this scathing comment:

From what I understand anecdotally, DTC Friday was a bust. Am I shocked? No. I cringed when I heard it was coming, and it certainly doesn’t seem to fit the spirit of the DNVB space. There seems to be a great deal if hubris here to think that just by decreeing this a new holiday, that it would instantly become something massive event like the Black Friday for DNVBs, which is an awful motivation alone.

I understand the need now for a centralized marketplace for the space. And I believe that DTC Friday was meant to play that role. But execution seemed off, there didn’t seem to be a cohesive effort at launch, and I’ve just heard conflicting feedback from folks who participated.

By my estimation, it wasn’t a bust. Despite the poor feedback from a number of brand operators, DTC Friday likely its purpose. Tim Armstrong is not wrong, he’s early. DTX’s effort to launch DTC Friday 2019 wasn’t designed to prioritize the advertising brands. The goal was to advertise Flowcode, a reportedly advanced rebrand of the QR code concept that was dismissed in the United States, several years ago. The star of each of the retail holiday’s TV ads, street posters, and influencer whitelisting efforts wasn’t swimwear, technical fabric menswear, children’s clothes, or a relaxing drink. Nor were the stars the founders, themselves.

In each case, the most prominent property on each ad was Armstrong’s Flowcode – an easier way to link visual marketing to an online property. DTX was discriminate in its advertising investments. While some brands experienced little to no lift, there is evidence that leads me to conclude that a selection of brands were given the royal treatment. And they benefited from it. Andie’s request for silence makes more sense, with this as the context.

Armstrong’s estimated spend on Rockets of Awesome: $35,000

Armstrong’s estimated spend on Andie: $45,000

Armstrong’s estimated spend on Rhone: $27,000

Armstrong’s estimated spend on Recess: $65,000

Flowcode, QR culture, and online retail penetration

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Mobile Wallet users: United States of America (2019)

Commerce has been democratized and thanks to platforms like Facebook and Google, attention has become centralized. According to the President and COO of Loop Returns:

As attention decentralizes, brands will have an opportunity to build DTC communication channels with consumers. DTX and Flowcode looks like an early experiment in this genre. It may not (will likely not) be right but that doesn’t mean they’re wrong.

It’s worthwhile to mention that when Tim Armstrong made the comments (below), it was misinterpreted by many.

The distribution structure of social, search, YouTube and their ad formats allow these companies to put everything in their product catalog directly in front of consumers. The payments space, though complicated now, is on the verge of getting a lot easier. And the systems getting built now are allowing companies to get real-time, direct relationships built with consumers.

Armstrong maintains a notable disdain for FAANG’s influence on media and commerce, a fact that comes through in every sound bite or article on his work with DTX. His solutions are sound, they are just early. While we’ve seen vast improvements to payment systems in North America with the adoption of Apple Pay, Android Pay, Square Cash, Venmo, the advent of Amazon Go, and the expansion of other digital-first solutions: the U.S. continues to lag behind China and other Asian countries.

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China’s eCommerce as a % of retail

A lagging indicator, eCommerce is still at a lowly 12% of all retail in the United States. By comparison, this number borders on 39% in China. The primary difference between the two penetration rates can be chalked up to mobile wallet adoption. In China, nearly every citizen uses mobile payments for day to day life. In country, WeChat Pay and AliPay are so prevalent, it can be difficult for tourists to transact without them.

Travelers have had more luck on Alipay, which introduced a seven-step process last week that requires visitors to submit passport and visa information to Alipay, before loading money using an overseas card onto a prepaid card. [2]

And here is why the data is important. Offline-to-online attribution has been difficult for marketers. In the United States, offline attribution is mostly manual for billboards, brochures, mailers, and physical activations. Brands issue surveys or ask for attribution data. In China, however, QR codes fuel sales and attribution at scale. [3] Given the flow of retail innovations from China to the United States, it’s clear to see that when Armstrong discusses payments “getting easier”, he anticipates an adoption of mobile wallets and streamlined payments systems. Why? The prevalence of these systems correlated with a mass adoption of QR code usage in China.

At the start of this decade, most Chinese people were still carrying cash everywhere and credit cards were rarely used outside of the big cities. But as people began to earn more, it was clear they needed a new way to pay without carrying wads of cash. [3]

DTC Friday may not have been a successful sales day by most standards but it was an effective way to recruit popular brands to market a concept that America laughed at just a few years prior.

In the United States, there are barriers to the future that Armstrong imagines. Here, America is over-retailed. There are more brick and mortar stores, per capita, than anywhere else on Earth. The real estate development industry is so prevalent that the brick and mortar has become eCommerce’s greatest hindrance. We are less likely to adopt mobile payments and when we can use debit cards in most physical stores.

So, in the meantime – digitally native brands are best served leveraging the methods of traditional retailers to achieve scale. But eventually, Armstrong’s hypothesis will prove correct. Time will tell if it’s DTX Company that lives to take the credit for this shift in consumer behavior.  The diffusion of innovation curve does not favor Armstrong. It will be up to DTX and its band of DTC loyals like Andie, Recess, Rockets of Awesome, and Rhone to persuade savvy millennials to shift their shopping behaviors. If not, Armstrong’s Flowcode could be the Webvan to another innovator’s DoorDash or UberEats. Time and adoption velocity will determine who gets the credit for the sale. And that may be one attribution problem that even Armstrong cannot solve for.

Research and Report by Web Smith | About 2PM

Member Brief: Disney+ and Antitrust

2PM - Marvel

When you open Disney+ for the first time, you immediately recognize which streaming services will become obsolete. A number of the top 20 films in iTunes, a service that charges $11.99 to $19.99 for download, are now included in your $6.99 subscription fee. It’s quite literally a steal, a play for scale. Because for Disney, scale is absolutely critical. It’s not Apple that Disney+ is attempting to upend.

This member brief is designed exclusively for Executive Members, to make membership easy, you can click below and gain access to hundreds of reports, our DTC Power List, and other tools to help you make high level decisions.

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No. 338: UpWest and Hygge

Hygge-2PM

A publicly-traded retailer launched a DTC brand. This is a deep dive into their reasoning, the build, and their internal expectations. 

Middle-class retail is at an impasse. Since the beginning of 2019, there have been 19 bankruptcies to include Forever 21, Gymboree, Charlotte Russe, Payless ShoeSource, Diesel, and Destination Maternity. And there are another eight retailers at risk to include: J.C. Penney, Neiman Marcus, J. Crew, and Hudson’s Bay. In Gilded Age 2.0, I explain that our current retail era signals a casualty of the middle class consumer; a class that once emerged in response to the industrial and financial booms of the late 19th century and the governmental reforms of the mid-20th century.

With a flailing gig economy, stagnant wages, and rising personal debts, 2019 presents a break from the mid-century momentum that defined the 20th century. We are beginning to hear faint echoes of an earlier time of boom or bust and feast or famine. Rather than appealing to pure luxury consumers or fast fashion-loving millennials, the “long middle: erroneously remains the bullseye of the target. Retailers have been slow to optimize for a new market of coveted consumers.

In a recent report by Business of Fashion proclaimed that America still doesn’t have an answer to LVMH. They explain:

Spoilt for choice, consumers are less interested in mid-priced products available at scale: they want dangerously affordable fast fashion or pure luxury. (And preferably at a discount.) It’s harder for consumers to see the value in something that is not cheap but not that expensive, either. Especially if it’s not utterly unique. That’s a problem for Tapestry in particular, which deals exclusively in accessible luxury. [1]

Against the backdrop of abundant choice and a bifurcating market, Ohio retailer Express launched a new brand. Express is currently trading at a $265 million market cap with north of $2b in sales. The cost of that revenue is extraordinarily high compared to healthier retailers. Trailing twelve months, Ralph Lauren Corporation earned north of $6.5 billion with a $2.45 billion cost of revenue.

In contrast, Express earned (TTM) north of $2.1 billion with a $1.5 billion cost of revenue. A 25% gross profit margin heading into a crucial holiday season, the Columbus-based retailer hopes to use the DTC initiative to improve their long-term outlook. The effort has been met with a mix of pessimism and optimism. 

Pierre Kim of Away

For years, retailers have been criticized for not evolving quickly enough to meet the demands of their customers, so what do they have to lose with this new strategy? Their core labels may be faltering, but they still have brand equity. Why not use it to experiment and launch new businesses?  [2]

Paul Munford of Lean Luxe

There’s baggage associated with being under a legacy retailer’s umbrella—it decreases the value of the brand to the savvy consumer,” he said. “However, execution will always ultimately be the key here. Spinoffs need to feel like their own entity, as opposed to a sub-brand of the legacy retailer. [2]

There are merits to both arguments. And a little bit of digging provided more clarity for this report. Under the umbrella of Les Wexner’s Limited Brands, Express launched as women’s clothier “Limited Express” in 1980 Chicago. Led by CEO Michael Weiss, the brand expanded to eight stores in 1981 and by 1986, Express began a test for menswear in 16 of its 250 stores. The men’s line spun out as Structure in 1989.

I remember the brand very clearly. As a twelve year old in 1995, the halls of my middle school were split between the haves and the have nots. For the ones with, shirts by Polo and Structure were the daily wears and all I could remember is the sensation of having neither.

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Remember this?

The advancements that Express made during that 20 year run are astounding to think about. In 2001, Express became a dual gender brand – a pivot that Madewell is currently attempting to execute. Structure “sold” to Express, or at least that’s how I remembered it. Because immediately, I became a fan of Express. In actuality, the brand was owned by the same holding company. It funneled its mens business to a brand that provided more opportunity. L Brands then, quietly, sold the mark to Sears in 2003. The Structure brand was never heard from again.

Express is no longer owned by L Brands, one of the most prolific builders of retail brands in history. It was sold to Golden Gate Capital Partners, a private equity firm with $15b in assets under management. And then, in May of 2010, the retailer went public.

Demographic vs. Psychographic | Part Two 

In 2016, Express made its first play for the direct-to-consumer era by acquiring a minority stake in HOMAGE, the Columbus Ohio retailer led by founder Ryan Vesler. It’s a genuine brand, one where the founder-product fit is as valuable as its product-market fit. The minority investment with vintage t-shirt company meant that Express bought a new audience of a key demographic: the college-aged millennial.

Homage President Jason Block said in an email that Express will consult with the company on an ongoing basis and the investment will allow Homage to expand both its digital and brick-and-mortar presence. [3]

Aside from investing in a growing company,  Express gained the rights to include a limited selection of HOMAGE products in store. The investment was intended to bolster foot traffic while, potentially, benefitting from the long-term flip – if and when the HOMAGE brand grew with the help of Express. It’s unclear whether or not this initiative was successful for either of the brands. The company is currently trading below the price it maintained during the period that Express began its partnership with HOMAGE. The publicly-traded retailer’s missteps over the past two years were due, in part, to a number of macroeconomic shifts.  The launch of UpWest represents a strategy shift of its own.

In Psychographics in Focus, I explain the difference between a demographic and psychographic. Consumer psychology involves the interest in lifestyle, behavior, and habit. It’s an encompassing measure that considers our idiosyncrasies, our temperament, and even our subtle personality traits. These are the variables that influence our behavior as consumers. Psychographic segmentation is the analysis of a consumer cohort’s lifestyle with the intent to create a detailed profile. [4]

Taking a community-building approach, UpWest plans to connect with new customers through experiential events, including a regional tour across the US that features the UpWest Cabin, a mobile pop-up exhibit featuring relaxation-focused experiences like yoga and meditation classes. Slated stops include Columbus, Chicago, Nashville, Denver and Austin.  [2]

From the typeface, to the story-telling, to the merchandising – the UpWest brand is designed to attract fans of the digitally-native industry. Rather than a specific demographic, Express pursued an interest (DTC) and is building a brand atop of that engaged audience.

DTC As A Psychographic

Web Smith on Twitter

DTC, 2012: a tech stack strategy. DTC, 2016: a logistics strategy. DTC, 2020: a brand strategy.

In a span of three days, I received multiple emails and texts from contacts close to the launch of UpWest. Kaleigh Moore, Forbes writer and 2PM collaborator had a story in queue by then. In the Lean Luxe Slack, it was a topic of conversation. Rather than building in-house with Express’ existing engineering group, UpWest contracted Shopify agency BVAccel to handle the design and development work. This was a nod to several of the most successful digitally native brands in the space to include Untuckit, Cubcoats, Chubbies, and Rebecca Minkoff. 

Comparison-Upwest

The site’s architecture communicates a desire to be mentioned in the DTC conversation, this includes UpWest’s partnership with Klaviyo and its new-age loyalty program. It would appear that UpWest chose to focus on the DTC psychographic for the sake of earned media and brand positioning. As far as the nuts and bolts are concerned, the site’s build communicates that the desired target demographic is millennial-aged women. On day zero, the brand has an explicit purpose: to provide comfort for body, mind, & spirit. The clothes, are priced similar in design and price to Marine Layer – its next closest competitor.

Identifying Waves: Importing Hygge to America

In the past year, this concept of Scandinavian coziness has made inroads with an international audience. [5]

Imagine a whiteboard in one of Express’ suburban Columbus boardrooms; the word “hygge” would have been at the center of it in big and bold lettering. You can picture the brand’s chief comfort officer (and Express’ SVP of Strategic Initiatives) standing in the corner of the room, jamming as Cody’s It’s Christmas plays on the room’s four Sonos speakers. The brand wants you to feel a feeling. Analysts agree. Emily Singer, founder of the DTC newsletter “Chips and Dip” had this to say:

There’s something very boring about it. Maybe that’s intentional. This line feels a little too on the nose: ‘Welcome to curated comfort. For those who are seeking peace and calm in a stressful world.’ Brands tap into emotional states, but it’s rarely laid out so explicitly.

It’s this perceived boredom that is viewed as an understated luxury in American culture. To the Danes, hygge is free of economic status. The culture’s entire focus is on practicality, movement, wellness, and mindfulness. It’s this underlying culture that Express hopes to import with the help of some obvious visual cues from well-known DTC retailers.

The UpWest typeface is nearly identical to the typeface of Outdoor Voices and Marine Layer’s. Ironically, both retailers have references to Scandinavian hygge throughout their brand messaging. But for UpWest, there’s no understatement. Every message is turned to maximum volume. Like the primary header of Express.com: UpWest’s primary menu is a throwback to “Limited Express”, a retailer for women-first and men-second. There are elements of luxury abound. Upwest’s blog features new-age terms like: nourish, mindfulness, tranquility, and sanctuary. The traveling pop-up is a “cabin.” These are all symbols of wealthier millennials with time and resources to spare. As is the concept of philanthropy and sustainability (though UpWest sells products that are made with synthetics).

It starts with our cozy apparel, home and wellness products. We want to surround you with calm and give you balance. But it’s not just the tangible things. It’s also about slowing down. Diving deeper. And giving back.

Not to be outdone, UpWest wants consumers to help them donate $1 million to the Mental Health Association. The Express-borne retailer plays the entire DTC hand of cards. This report began with a simple statement: middle-class retail is at an impasse. To the average consumer, this DTC play is akin to Structure being launched as Express Men. Like a sheep, the seventeen year old me bought from Express as soon as my adolescent wallet would allow. The mechanics are similar here. Express is attracting an existing audience (the DTC psychographic) and using it to invigorate a brand that is plateauing.

Conclusion

The UpWest bet is that the retailer can earn the business of the upwardly mobile DTC audience by engineering a product-market fit. One with heavy branding, ideal-alignment, and market messaging. This is one of the first upmarket attempts that we’ve seen from a specialty retailer. It’s one that deserves praise. Their management team engineered a brand with contemporary pricing and luxury messaging – void of pricing promotions (for now). They’ve acknowledged that the data shows a middle-class at an impasse. They have the supply chain, the logistics, the distribution, and a snapshot of a brand. But do the executives at Express truly understand what makes the top DTC brands work? That remains the question that could move the market.

Time will tell if Express can duplicate the brand architecting of their L Brands era – a time defined by face-less brands, clever signage, billboards, and foot traffic. My guess is that Express will find an audience that is more sophisticated and critical than the young adults of the 80’s, 90’s, and 2000’s. Messaging, distribution, and customer acquisition methods will evolve with this realization. And if that’s the case, their hygge may be tested for quite some time.

Research and Report by Web Smith | About 2PM