备忘录QR 案例

If you ever want to give up, consider the QR code’s journey from where it was just a few years ago. While immensely popular in Japan and other Asian countries, prior to the pandemic it was nearly forgotten in the United States.

The QR code dates back to 1994, when it was first used by a Toyota subsidiary to track auto parts during assembly. More information-rich than a barcode, QR codes were designed to unlock information like product files or manufacturing records. It wasn’t until 2002 that the “quick response” code took on a new life as a way to drive viewers to properties like websites and events. And by 2007, QR’s promise was what we know it today: for brands and advertisers to tack on additional storytelling, details and access when trying to get customers’ attention. Still, it never ever quite caught on in a meaningful way, at least not in the US.

In fact, the technology was the butt of many jokes. When Tim Armstrong reintroduced efforts to market brands through QR codes in 2018, the idea was widely panned. The former AOL and Verizon Media CEO attempted to rebrand the then-24 year old technology as “Flowcode.” In November of 2019, his latest project, DTX Company, contacted 120 DTC brands in an attempt to build a new shopping holiday called “DTC Friday.” In 2019’s In Defense of Tim Armstrong, I explained:

Tim Armstrong is not wrong; he’s early. DTX’s effort to launch DTC Friday 2019 wasn’t designed to prioritize the advertising brands. The goal was to advertise Flowcode, a reportedly advanced rebrand of the QR code concept that was dismissed in the United States, several years ago.

In that report, I characterized the difference between the US and Asia’s offline attribution models. When this was written in 2019, billboards, mailers, catalogues, and brochures were the primary forms of offline marketing in the US. Meanwhile, China used QR codes to fuel sales and attribution at scale. My assessment of Armstrong’s bet, at the time, was as follows:

Given the flow of retail innovations from China to the United States, it’s clear to see that when Armstrong discusses payments “getting easier”, he anticipates an adoption of mobile wallets and streamlined payments systems. Why? The prevalence of these systems correlated with a mass adoption of QR code usage in China.

Mobile wallet adoption and streamlined payments systems have vastly improved since Tim Armstrong’s attempt to resurrect the QR code through DTX. He wasn’t wrong; he was early. And something else happened: the pandemic. In 2020, Square built systems around QR use for shops and small businesses. The Verge published this in 2020:

When using the feature, a restaurant can print a QR code out and leave it on a table. A customer would then scan the QR code, browse a menu, place their order, and pay from their phone. The restaurant would know what table placed the order, and then bring their food out when it’s ready. Square says the system is flexible, so a coffee shop, for example, could have a single QR code in its window that people would scan and then wait for their drink.

And the rest was history.

Web Smith on Twitter: “QR’s j-curve of adoption: 1994: Toyota invents QR 2007: Wide use in APAC2011: 14M Americans used QR2013: QR codes derided2019: DTX tries to rebrand it2020: Square’s QR for shops 2021: Pandemic popularizes it2022: 60 sec Super Bowl ad / Twitter”

QR’s j-curve of adoption: 1994: Toyota invents QR 2007: Wide use in APAC2011: 14M Americans used QR2013: QR codes derided2019: DTX tries to rebrand it2020: Square’s QR for shops 2021: Pandemic popularizes it2022: 60 sec Super Bowl ad

The QR suddenly popped up everywhere: restaurant menus, packaging, device installs, the walls of museums. There, they’ve taken the place of guides who would have ushered guests before pandemic restrictions hindered their roles. There is a newfound appreciation for the QR. Seemingly overnight, it became a necessary technology in America as payments technology proliferated and proximity payments nearly doubled over the span of 2019 to 2021.

So when the QR code popped up on the screen for 60 seconds during the Super Bowl, the room’s reaction wasn’t one of distaste. In a room of 30 adults ranging from 35 to 55, the consensus was: “OK, whoever this is, this seems smart.” As many Super Bowl lists have now-noted, it was a clever advertisement for Coinbase. The project was a joint effort between the cryptocurrency exchange and its agency of record.

Accenture Interactive, the agency responsible for the ad, had undergone a digital transformation and acquisition spree under CEO Brian Whipple, who left last summer and was replaced by David Droga. Accenture Interactive’s reinvention turned the consulting firm into a creative agency and technology partner – a combination perfectly suited for the Web3 era. I would have loved to have been in the room for the decision to acquire a the television spot for $15 million and spend nearly nothing designing the actual creative for it. It’s a level of efficiency that has become a feature in the age of proximity payments, blockchain implementation, and subscription-commerce. The less thought, the better. AdWeek explained:

Had the ad been just 15 seconds, casual viewers might have shrugged off the odd spot and gone back to their snacks. But running a leisurely 60 seconds, the spot and its hypnotic music became increasingly curiosity inducing until finally many of us had to pull out our phones and scan it. In a night defined by crypto players working hard to get your attention, Coinbase leaped past simple brand awareness and directly engaged viewers by the millions. Bonus: It also—finally—proved all those 2007-era QR evangelists right.

A 30-year-old technology experienced a J-curve in popularity, from Toyota’s invention in 1994 to widespread use in most Asian-Pacific countries in 2007. In 2011, just 11 years ago, 14 million Americans scanned a QR code. According to Bitcoin Magazine, Coinbase received 20 million hits to its website in one minute.

That’s nearly double the entire audience for QR, just a decade later in just 0.00019% of the time. By 12 p.m. EST the day after the Super Bowl, the stock price began reflecting the market’s positive reaction to the chatter. Sportico’s Jacob Feldman noted a stock price that added 1-2% to the company’s market cap. A $14 million spend and a $1 billion+ outcome.

If just 2% of viewers decided to make an account in that first minute of viewership, In theory, Coinbase won 400,000 new wallets at a cost of $35 per customer. We’re going to be seeing a lot more of QR codes in the media. Tim Armstrong wasn’t wrong, he was just early. As Web3 rises in popularity and the metaverse conversations persist, the core of many of these discussions is the basic understanding of cryptocurrencies and their potential. Before MetaMask, OpenSea, and other marketplaces — Coinbase may be the most foundational platform for mass adoption. Accenture Interactive and Coinbase were right on time with a simple message that overshadowed much of the night’s game, the internet’s betting commentary, and the musical fanfare of America’s top sporting day. A QR code did all of that.

作者:Web Smith | 编辑:Hilary Milnes,美术:Christina Williams 和 Alex Remy

备忘录OpenSea 诉 Coinbase

 

One venture capital firm, two investments: when Coinbase decided to invest in the development of an NFT marketplace for its estimated 70 million users, Andreessen-Horowitz’s competing investment was probably surprised. It’s rare for two portfolio companies to go head-to-head in such a manner. The numbers are in Coinbase’s favor, but the NFT trade is synonymous with OpenSea.

Just 12 months ago, monthly trade volume was around $1 million; in August, that number reached $3.4 billion. Coinbase surely felt that it was missing out on trade volume and an opportunity to democratize the NFT trade. Its relative size provides a few opportunities that OpenSea cannot yet account for. Imagine what would happen to the NFT trade if Coinbase temporarily covered gas fees of new traders, for instance. Gas is the limiting factor for many interested in acquiring NFTs.

Gas is the fee, paid in ethereum cryptocurrency, that is required to finalize a transaction on the blockchain. For NFT buyers on OpenSea, the extra fees can add up. In this way, Coinbase’s volume of new buyers could negatively impact OpenSea if the cost of doing business is cheaper. It can also benefit OpenSea. With increased trading volume, certain projects would become more marketable on the OpenSea. But this isn’t just a platform play: Coinbase seems to be serious about its interests in arts and entertainment.

Last week, Coinbase announced a partnership with Steve Stoute and UnitedMasters, signaling its growing investment in the arts and entertainment space. Another signal was just announced. Coinbase is planning an NFT marketplace that will launch by the end of the year. The waitlist is open.

Details are scarce, but as TechCrunch reports, the platform will include social elements including opportunities for “conversations and discovery”, according to the Coinbase press release. The goal is to make it easier to mint, purchase and find NFTs. Right now, competitors in addition to OpenSea include Binance and FTX. Shopify is also wading into NFT territory by making it possible for all Shopify merchants to mint and sell their own NFTs. Coinbase now wants to stake its claim to a space that has thus far been the story of OpenSea.

Coinbase’s launch into NFTs makes sense for the company, which facilitates buying and trading of crypto. Crypto and NFTs are closely tied together and Coinbase, now public, needs to explore ways to make new revenue. It’s also the natural progression of the onset of Web3, the next era of the internet that exists within digital worlds with digital currencies. Online dealings can start and end entirely online – it’s no longer a means to an offline end. As a result, new cultural norms and consumer habits are forming, as 2PM explained in “The Digital Country Club”, online groups are forming around NFTs and crypto and you’re either in or you’re out.

乡村俱乐部一直是会员炫耀身份、与特定群体打成一片的地方。而乡村俱乐部则让互联网时代的人们实现了这一愿望。这在各个平台上以多种方式得到了体现。CryptoPunks 是以太坊区块链上一个独特角色头像的集合,现在允许用户出租自己的头像,实质上是开辟了一条收入流,同时在有限的时间内允许新用户访问。在这一点上,认为 NFT 作为一种资产类别正在崩溃的想法简直可笑至极。

Coinbase’s launch will normalize this new reality for more people. As a crypto platform, it will initially cater to the already initiated. But if its social component is thriving enough, that and reduced trading fees could be a powerful way to pull in newcomers to the NFT trade, of which OpenSea could position itself the Saks Fifth Avenue to Coinbase’s Macy’s. The two portfolio companies could benefit one another after all.

By Web Smith | Editor: Hilary Milnes | Art: Christina Williams